tag:blogger.com,1999:blog-55788355533382857202024-03-12T18:59:24.843-07:00Kim Kim Presscontact: nayoungim@gmail.com
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.comBlogger64125tag:blogger.com,1999:blog-5578835553338285720.post-47248699091020721252017-03-09T01:25:00.002-08:002017-03-09T01:25:32.688-08:00Modern Beach Design @ Utrecht, Tokyo<div class="separator" style="clear: both; text-align: center;">
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-68405511040491734202017-03-04T03:05:00.000-08:002017-03-04T03:05:11.901-08:00SoulFood Book Market<div class="separator" style="clear: both; text-align: center;">
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Sep. 2017<div>
Seojong, Yangpyeung</div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-26443648287636955762016-11-26T17:29:00.000-08:002016-11-26T17:29:21.748-08:00Kim Kim Gallery in UE8_Unlimited Edition 8 / 제8회 언리미티드 에디션 -서울아트북페어 2016 <div class="post-body entry-content" id="post-body-4290189711741347996" itemprop="description articleBody" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.199999809265137px; line-height: 1.4; position: relative; width: 570px;">
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Nov. 2016</div>
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Seoul</div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-79890118691294135642016-10-19T01:25:00.002-07:002016-10-19T01:31:41.576-07:00Unlimited Edition 8 / 제8회 언리미티드 에디션 -서울아트북페어 <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit;">제8회 언리미티드 에디션 -서울아트북페어 </span><span style="font-family: inherit;">포스터 온리 2: 11월 17~18일</span></div>
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<span style="font-family: inherit;">언리미티드 에디션 8: 11월 25~27일</span></div>
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<span style="font-family: inherit;">언리미티드 에디션은 2009년 1회를 시작으로 매년 진행되어 온 아트북페어, 독립출판의 시장입니다. 일반적인 홍보와 거리를 두는 독립출판과 그 제작자들이 일년에 한 차례 각자의 목소리로 자신의 책에 대해 말하고 판매하는 시간입니다. 작가/제작자와 관람자가 ‘직접 판매 부스’를 매개로 만나고, 자발적으로 만들어진 책들이 그해 어떻게 존재하고 있는지 조망할 수 있습니다.</span></div>
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<span style="font-family: inherit;">8TH UNLIMITED EDITION<br style="box-sizing: inherit;" />-SEOUL ART BOOK FAIR 2016</span></div>
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<span style="font-family: inherit;">PO2: November, 17~18th, 2016<br style="box-sizing: inherit;" />UE8: November, 25~27th, 2016</span></div>
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<span style="font-family: inherit;">UNLIMITED EDITION is an annual art book festival showcasing small-scale and independent publications. Since its first event in 2009, the ever-growing number of visitors reached up to 15,000 people during the whole event last year. UNLIMITED EDITION aims to encourage the creators to visualize and discuss their practices and possible futures among others throughout the event.</span></div>
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<span style="font-family: inherit;">アンリミテッドエディション<br style="box-sizing: inherit;" />-ソウルアートブックフェア2016</span></div>
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<span style="font-family: inherit;">PO2: November, 17~18th, 2016<br style="box-sizing: inherit;" />UE8: November, 25~27th, 2016</span></div>
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<span style="font-family: inherit;">アンリミテッドエディションは、2009年から毎年開催されているアートブックフェア、独立出版の市場です。一般的な広報活動を行わない独立(インディペンデント)出版団体とその作家が、一年に一度、自分の声で自分の本を語り販売する時間を提供しています。作家/つくり手と来訪者が「直接販売ブース」を媒介として出会い、自発的に作られた本が今年どのように存在しているのかを一望のもとにします。</span></div>
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<span style="font-family: inherit;">VENUE: 일민미술관 Ilmin Museum of Art<br style="box-sizing: inherit;" /><a href="http://ilmin.org/" style="box-shadow: currentcolor 0px 1px 0px 0px; box-sizing: inherit; color: #303030; text-decoration: none;" target="_blank">ilmin.org</a></span></div>
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<span style="font-family: inherit;">주최: 유어마인드</span></div>
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<span style="font-family: inherit;">주관: 유어마인드, 일민미술관</span></div>
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<span style="font-family: inherit;">후원: 서울문화재단<br style="box-sizing: inherit;" />문화체육관광부<br style="box-sizing: inherit;" />예술경영지원센터<br style="box-sizing: inherit;" />문화가 있는 날<br style="box-sizing: inherit;" />산돌구름<br style="box-sizing: inherit;" />Aesop</span></div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-18948303709009114752016-08-18T20:55:00.004-07:002016-08-18T20:55:45.452-07:00Kim Kim Press will be @ 언리미티드 에디션 UNLIMITED EDITION -SEOUL ART BOOK FAIR 2016<div class="wpb_column vc_column_container vc_col-sm-4" style="box-sizing: border-box; color: #666666; float: left; font-family: 'Open Sans'; font-size: 14px; min-height: 1px; padding-left: 0px; padding-right: 0px; position: relative; width: 370px;">
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언리미티드 에디션</h4>
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언리미티드 에디션(UNLIMITED EDITION)은 2009년 1회를 시작으로 매년 진행되어 온 아트북페어, 독립출판의 시장입니다. 일반적인 홍보와 거리를 두는 독립출판과 그 제작자들이 일년에 한 차례 각자의 목소리로 자신의 책에 대해 말하고 판매하는 시간입니다. 작가/제작자와 관람자가 ‘직접 판매 부스’를 매개로 만나고, 자발적으로 만들어진 책들이 그해 어떻게 존재하고 있는지 조망할 수 있습니다.</div>
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제8회 언리미티드 에디션<br style="box-sizing: border-box;" />-서울아트북페어 2016</div>
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11월 25~27일</div>
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주최: 유어마인드<br style="box-sizing: border-box;" />공동주관: 유어마인드, 일민미술관</div>
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UNLIMITED EDITION is an annual art book festival showcasing small-scale and independent publications. Since its first event in 2009, the ever-growing number of visitors reached up to 15,000 people during the whole event last year. UNLIMITED EDITION aims to encourage the creators to visualize and discuss their practices and possible futures among others throughout the event.</div>
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November, 25~27th, 2016</div>
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Organized by YOUR MIND</div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 14px; text-align: center;">Hosted by YOUR MIND, Ilmin Museum of Art</span><br />
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http://unlimited-edition.org/#applicationlokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-47814873076546354852016-07-11T17:27:00.000-07:002016-07-11T17:48:02.033-07:002016 Busan Art Book Fair 부산아트북페어<div style="text-align: center;">
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https://www.facebook.com/shopmakers/?fref=nf</div>
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July 2016</div>
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Busan</div>
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-70916607717506968062016-06-28T16:42:00.004-07:002016-07-13T16:56:03.847-07:002016 Busan Art Book Fair: FROM THE MAKERS<div class="post-body entry-content" id="post-body-9211981364191090477" itemprop="description articleBody" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 570px;">
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<span style="font-family: inherit;"><b>제</b><b>1</b><b>회</b><b> FROM THE MAKERS<o:p></o:p></b></span></div>
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<span style="font-family: inherit;">프롬더메이커즈(FROM THE MAKERS)는 독립출판을 주제로 부산에서 처음으로 열리는 책 시장입니다. 전국에서 발행되는 다양한 독립출판물을 창작자(제작자/작가)가 직접 판매, 홍보하며 창작자와 관람객이 만나 책을 매개로 함께 즐기는 축제의 장입니다. </span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">다양한 창작자들로부터 나온 ‘개인의 세계’가 담긴 독립출판물들을 통해 독립출판이 존재하는 방식을 이해하는 시간이 될 것입니다. 독립출판물 이해를 돕기 위한 프로그램이 준비되어 있어 독립 출판물을 처음 접하는 분들께도 유익한 시간을 전해드립니다. 정형화된 시스템에 얽매이지 않고 자신만의 방법으로 독립출판 및 창작활동을 하고 있는 창작자들을 알리고 응원하는 바람 또한 담고 있습니다. 부산에서 처음 열리는 독립출판 페어에 많은 관심과 응원 부탁드립니다.</span></span></div>
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<o:p></o:p></span></div>
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<span style="font-family: inherit;">장소: 아트소향(부산시 해운대구 센텀중앙로 55 <o:p></o:p></span></div>
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<span style="font-family: inherit;">주최: 부산독립출판연구소(BSPL) </span></div>
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<span style="font-family: inherit;">후원: 한국문화예술위원회, 부산광역시, 부산문화재단</span><br />
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http://m.blog.naver.com/summerbooks/220758770460<br />
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<span style="font-family: inherit;"><b>마켓 – 프롬 더 메이커즈</b><o:p></o:p></span></div>
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<span style="font-family: inherit;">2016. 7. 9(토) – 7. 10(일) </span><span style="font-family: inherit;">오후 12시 – 7시</span></div>
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<span style="font-family: inherit;">전국 70여팀의 독립출판 창작팀이 참여하여 자신의 책을 직접 판매, 홍보하는 책 시장입니다. <o:p></o:p></span></div>
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http://fromthemakers.kr</div>
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July 206</div>
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Busan</div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-9936468230148735152016-05-21T10:06:00.000-07:002016-05-21T10:06:10.967-07:00ㅊ chiut<div class="separator" style="clear: both; text-align: center;">
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Seoul<br />
May 2016<br />
https://www.facebook.com/photo.php?fbid=10207647797125998&set=a.3170323930039.140390.1023714741&type=3&theaterlokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-11922898805564267532016-05-19T01:36:00.003-07:002016-06-03T21:41:34.934-07:00Zinefest<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;">오늘 첫번째 zine <토킹픽쳐블루스> 도착. </span></div>
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;">이번 주말에 열리는 진 캠프에도 오시고 6월4일 열리는 진 페스트에도 오시고, </span></div>
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;">진도 투척해 주시기 바람.</span></div>
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<span style="background-color: white; font-size: 14px; line-height: 19.32px;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;">https://www.facebook.com/bittna?fref=nf</span></span></div>
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<span style="background-color: white; font-size: 14px; line-height: 19.32px;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;">May 20th 2016</span></span></div>
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<span style="background-color: white;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px; line-height: 19.32px;">Seoul</span></span></span></div>
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<span style="background-color: white;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOoyXVencus2rGwEaf6bzq4E0a9sZVnSBYCg1cRek9sF3yCd1dUroTtf6XyHHwuknhPSccbqUPT0AeuZRs0IXmBqN-5x6WyG5rzmwy00yvEWFoy9dyuScJpZKd8uz9LhbKOZTD2QUCUvcX/s1600/13343068_1709640772624603_6485745696821633318_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOoyXVencus2rGwEaf6bzq4E0a9sZVnSBYCg1cRek9sF3yCd1dUroTtf6XyHHwuknhPSccbqUPT0AeuZRs0IXmBqN-5x6WyG5rzmwy00yvEWFoy9dyuScJpZKd8uz9LhbKOZTD2QUCUvcX/s400/13343068_1709640772624603_6485745696821633318_n.jpg" width="400" /></a></span></span></div>
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<span style="background-color: white;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px; line-height: 19.32px;">https://www.facebook.com/Zinefest/photos/pcb.1709641332624547/1709640772624603/?type=3&theater</span></span></span></div>
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">제1회 페스트Ⓐ 참가</span><br />
<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">진을 만드는 사람들(진스터zinester)이 모이는 ‘진페스트Ⓐ’ 1회가 문래동 ‘뉴마트’에서 열립니다.</span><br />
<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">–</span><span class="text_exposed_show" style="background-color: white; color: #1d2129; display: inline; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;"><br />‘진zine’이란 개인이나 집단이 이윤을 목적으로 하지 않고, 기획부터 집필, 출력과 제본까지의 과정을 스스로(DIY) 해서 만든 출판물을 말합니다. ‘진페스트Ⓐ’는 국내외의 다양한 진을 소개하는 동시에, 진스터들이 서로의 진을 교환하고 판매할 수 있는 장이 되기를 희망합니다.<br /><br />2016년 6월 4일 (토) 오후 1시~8시<br />문래동 뉴마트(서울시 영등포구 문래동4가 23-19번지 1층)<br /><br />–<br />참가 안내<br /><열람용 진을 보내주실 경우><br />1. 구글 독스로 신청서를 작성해 제출합니다.<a href="http://goo.gl/forms/ZQJSzNSJcg" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">http://goo.gl/forms/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>ZQJSzNSJcg</a> (신청마감: 5/23 월 자정)<br />2. 열람용 진 1권을 우편으로 보내주세요. (서울시 영등포구 문래동4가 23-19번지 1층)<br />당일에 직접 가지고 오실 분은 그렇게 해주셔도 됩니다. 아니면 당일에 참가하지 않고, 열람용 진만 보내주셔도 좋습니다. 보내주신 진은 진페스트가 끝난 후, 진 라이브러리에 보관됩니다.<br />3. 참가비는 없습니다.<br />4. 교환이나 판매를 하고 싶은 진은 당일에 직접 들고 와주세요. 부스는 따로 없으며, 자연스럽게 돌아다니면서 교환이나 판매 해주시기 바랍니다. 작은 의자나 깔개를 가지고 오셔도 좋습니다.<br />5. 참가자에게는 ‘진스터’ 뱃지를 나눠드립니다. 뱃지는 진을 교환하거나 판매 중인 제작자를 가리킵니다.<br /><br /><그냥 놀러오고 싶은 경우><br />따로 신청하지 않으셔도 됩니다. 그냥 오셔서 진페스트를 함께 즐겨요!<br />작은 공연과, 10분만에 만드는 진 워크숍이 예정되어 있습니다.<br /><br />*나누어 먹을 수 있는 간식은 언제나 환영입니다.<br /><br />문의<br /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fzinefest.xyz%2F&h=CAQGRVZIk&enc=AZMttANUuykE3mN8pkN_qWgaAFG4LT6jFF3qITVtWrALasjm1P0dgVv53MTyf0jdIsliIERyd3MPoFlUOUPtdu8RWM2f6lMiNgVlyGwAYjnHUFISJ8r-k28HZl5Gq9TxUoGjicpLARVwStLe7um_q_Va8P1uiL6fejuAQSl39AEhyQEt5AxfEamaWwM8cT4Lb2M&s=1" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">http://zinefest.xyz/</a><br />zinefesta@gmail.com</span><br />
<span class="text_exposed_show" style="background-color: white; display: inline; font-size: 14px; line-height: 18px;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;">https://www.facebook.com/Zinefest/photos/a.1700844570170890.1073741827.1699521423636538/1700843183504362/?type=3&theater</span></span>lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-29431279541060128762016-05-05T21:21:00.001-07:002016-05-05T21:21:35.896-07:00Kim Kim Press Certificate<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ198UNj-Q7oc5tz-GLiSWIcwBF-W1ul-xwM0CEX_s3b2Kxb7N9Cly1wjoQFfAWMN-lHsZnHQWZXPjKyTVOE_yaRh8X8tleTlVeR5IqJQDtX_Ps1oQYCx9xipuPra_G2C8HAr3HbB_zf9I/s1600/p.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ198UNj-Q7oc5tz-GLiSWIcwBF-W1ul-xwM0CEX_s3b2Kxb7N9Cly1wjoQFfAWMN-lHsZnHQWZXPjKyTVOE_yaRh8X8tleTlVeR5IqJQDtX_Ps1oQYCx9xipuPra_G2C8HAr3HbB_zf9I/s400/p.jpg" width="283" /></a></div>
April 2016<br />
Namyangju Citylokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-18000961106297166822016-03-15T20:30:00.002-07:002016-06-07T05:53:04.284-07:00The Talking Picture Blues Book Launch<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Zp115N4F15BXve51TWq3i9DZkNIsF9g-Fzs3PPv09o03AUMl0Z-cUQDqJMp2Gwhbf9TJHf_nFYlqEy2tRgR4boxlhvPIh47gNrp7GJ-oGRKZYAMMN_ogP30RvCxIG4rNtC7x8ZvFLD96/s1600/kunstsa%25CC%2588le7-16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Zp115N4F15BXve51TWq3i9DZkNIsF9g-Fzs3PPv09o03AUMl0Z-cUQDqJMp2Gwhbf9TJHf_nFYlqEy2tRgR4boxlhvPIh47gNrp7GJ-oGRKZYAMMN_ogP30RvCxIG4rNtC7x8ZvFLD96/s400/kunstsa%25CC%2588le7-16.jpg" width="400" /></a></div>
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Photos by Stefan Ettlinger</div>
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<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">Kim Kim Gallery's pictorial book about The Talking Picture Blues (Kunstsaele, Berlin 2013/14, Songwon Art Center, Seoul 2015) exhibit to be presented at third and final opening of "Der Schattern des Körpers des Kutschers", from 7 p.m. 11th March 2016 @ Kunstsaele Berlin</span></h3>
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<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">The Talking Picture Blues Shows<br style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 18.48px;" />(Kunstsaele, Berlin 2013/14 & Songwon Art Center, Seoul 2015)<br style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 18.48px;" /><br /><span style="color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.2px; line-height: 18.48px;"></span><span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">with Moritz Fehr | </span><span style="color: #222222; font-family: inherit; font-size: 13.2px; line-height: 18.48px; text-align: justify;">The Velaslavasay Panorama, Los Angeles </span><span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">| Franz John | </span><span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">Viola Rusche | Karin Sander | Romana Schmalisch – Mobile Cinema | Dierk Schmidt | Andreas Siekmann | Shane Simmons | Chris Ware | Austin Osman Spare | Stefan Ettlinger | Hyangro Yoon </span><span lang="JA" style="color: #1a1a1a; font-family: "applemyungjo"; font-size: 11pt; line-height: 18.48px; text-align: justify;">윤향로</span><span style="color: #1a1a1a; font-family: inherit; font-size: 13.2px; line-height: 18.48px; text-align: justify;"> and more.</span></span><br />
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<span style="color: #1a1a1a; font-family: inherit; font-size: 11pt;"><br /></span></div>
<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;"><span style="color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.2px; line-height: 18.48px;">Designed & edited by Clemens Kruemmel</span></span></div>
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<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">Published by Kim Kim Press</span></div>
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<div style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 18.48px;">
ISBN<span class="Apple-tab-span" style="white-space: pre;"> </span>978-89-956464-8-9<span class="Apple-tab-span" style="white-space: pre;"> </span>(93650)</div>
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190X265.6mm, Black & white</div>
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<span class="_fbReactionComponent__eventDetailsContent fsl" style="font-size: 14px;"><complete id="goog_527876293">@ </complete>the 3rd phase of our exhibition, 'Der Kutscher', with a PERFORMANCE by Dominique Le Parc, a VIDEO PERFORMANCE by Stefan Ettlinger and NEW WORKS by Michael Dreyer, Svenja Kreh, Michalis Pichler, Sigune Siévi and Xiaopeng Zhou.<br /><br />"Der Schatten des Körpers des Kutsches" - arranged by Clemens Krümmel.<br /><br />Participated Artist : Monika Baer, Michael Dreyer, Stefan Ettlinger, Katja Eydel, Moritz Fehr, Franz John, Svenja Kreh, Dominique Le Parc, Michalis Pichler, Zilla Leutenegger, Alvin Lucier, Gregory Maass & Nayoungim, Achim Mohné, Karin Sander, Sigune Siévi, Rolf Walz, Xiaopeng Zhou.<br /><br />16.01.2016 - 16.04.2016<br /><br />Vernissage 'Der Schatten' - 15.01.2016<br />Vernissage 'Der Körper' - 12.02.2016<br />+++ Vernissage 'Der Kutscher' - 11.03.2016 +++</span></div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-16239701491705548882016-03-12T21:33:00.001-08:002016-03-12T21:33:57.009-08:00The Talking Picture Blues Book Launch<div class="post-body entry-content" id="post-body-3913817667340863220" itemprop="description articleBody" style="background-color: white; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 1.4; position: relative; width: 570px;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzbcATefevV-YCEtQgfN24m5sbfNUgnTqnP1bKQPemR6qaofCAxsxr8UKqD2S8qOBuoP3pWhCeVppJ6SKdLYVCVj3q3RarP7MK9mSmaFihdAghRlqmWfwEqzdQSfu09B6zOiMcaec7mpOB/s1600/12805939_10207660344285651_4796358313414746266_n.jpg" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzbcATefevV-YCEtQgfN24m5sbfNUgnTqnP1bKQPemR6qaofCAxsxr8UKqD2S8qOBuoP3pWhCeVppJ6SKdLYVCVj3q3RarP7MK9mSmaFihdAghRlqmWfwEqzdQSfu09B6zOiMcaec7mpOB/s400/12805939_10207660344285651_4796358313414746266_n.jpg" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="300" /></a></div>
<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">Kim Kim Gallery's pictorial book about The Talking Picture Blues (Kunstsaele, Berlin 2013/14, Songwon Art Center, Seoul 2015) exhibit to be presented at third and final opening of "Der Schattern des Körpers des Kutschers", from 7 p.m. 11th March 2016 @ Kunstsaele Berlin</span><br />
<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;"><br /></span>
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<div class="_2qgs" style="border-top-style: none; color: #4e5665; padding: 12px; position: relative;">
<span class="_fbReactionComponent__eventDetailsContent fsl" style="font-size: 14px;">@ the 3rd phase of our exhibition, 'Der Kutscher', with a PERFORMANCE by Dominique Le Parc, a VIDEO PERFORMANCE by Stefan Ettlinger and NEW WORKS by Michael Dreyer, Svenja Kreh, Michalis Pichler, Sigune Siévi and Xiaopeng Zhou.<br /><br />"Der Schatten des Körpers des Kutsches" - arranged by Clemens Krümmel.<br /><br />Participated Artist : Monika Baer, Michael Dreyer, Stefan Ettlinger, Katja Eydel, Moritz Fehr, Franz John, Svenja Kreh, Dominique Le Parc, Michalis Pichler, Zilla Leutenegger, Alvin Lucier, Gregory Maass & Nayoungim, Achim Mohné, Karin Sander, Sigune Siévi, Rolf Walz, Xiaopeng Zhou.<br /><br />16.01.2016 - 16.04.2016<br /><br />Vernissage 'Der Schatten' - 15.01.2016<br />Vernissage 'Der Körper' - 12.02.2016<br />+++ Vernissage 'Der Kutscher' - 11.03.2016 +++</span></div>
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<span style="font-size: 14px; line-height: 18px;"><span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif;">https://www.facebook.com/photo.php?fbid=10207660344285651&set=a.1327807154253.2046341.1203151772&type=3&theater</span></span><br />
<span style="font-size: 14px; line-height: 18px;"><span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif;">https://www.facebook.com/events/567235810106903/</span></span></div>
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<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px; line-height: 18px;">http://kimkimgallery.blogspot.kr/2016/03/the-talking-picture-blues-book-launch.html</span></span><span style="color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14px; line-height: 18px;"><span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif;">March 2016</span></span><br />
<span style="color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14px; line-height: 18px;"><span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif;">Berlin</span></span></div>
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-7088539404354874662016-03-12T18:55:00.001-08:002016-06-07T05:51:18.755-07:00Talking Picture Blues Book design draft<div class="separator" style="background-color: white; clear: both; color: #222222; font-size: 13.2px; line-height: 18.48px; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF1vog8JfKfvChc3UWNzyOKUIZuVXW8cKd5NTLFiRK8Ywt9JczyajXzno2ztEyLNOw1r43gY7F94e8ZNRGFwrVkrdmpkUJLwuDCQIvHUHb5a0jUoERLXDOmIo8atPgYKVtPYDkpmWJqDvy/s1600/IMG_0107.JPG" imageanchor="1" style="color: #888888; margin-left: 1em; margin-right: 1em; text-decoration: none;"><span style="font-family: inherit;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF1vog8JfKfvChc3UWNzyOKUIZuVXW8cKd5NTLFiRK8Ywt9JczyajXzno2ztEyLNOw1r43gY7F94e8ZNRGFwrVkrdmpkUJLwuDCQIvHUHb5a0jUoERLXDOmIo8atPgYKVtPYDkpmWJqDvy/s400/IMG_0107.JPG" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 1px solid rgb(238, 238, 238); box-shadow: rgba(0, 0, 0, 0.0980392) 1px 1px 5px; padding: 5px; position: relative;" width="400" /></span></a></div>
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<span style="font-family: inherit;">2015</span></div>
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<span style="font-family: inherit;">Paris</span></div>
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<span style="color: black; font-size: 9pt;"><span style="font-family: inherit;">Index</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; font-size: 9pt;"><span style="font-family: inherit;"><br /></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">1 Pierre Klossowski in: L’Hypothèse du Tableau Volé
(Raúl Ruiz, F 1978)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">2 Clemens Krümmel, Difficulty, wall print, 2015</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">4 Hyangro Yoon </span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">6,7 Le Petit Journal, Paris, France, ca. 1905,
courtesy Melton Prior Institute, Düsseldorf, Germany</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">8,9 Moritz Fehr, „Mojave – A Person Was Here“,
2013, stereoscopic video, Ambisonic, surround sound, 22’40“</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">10 Harpokrates, Deity of Silence Gallery Academy of
Fine Arts, Vienna (photo by the author)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">11 Franz John, Interzone, An interactive time
travel CD-ROM through the fortifications of the former Berlin was (</span><span style="color: black; mso-themecolor: text1;"><a href="http://www.i-n-t-e-r-z-o-n-e.de/"><span style="color: black; font-size: 9pt;">www.i-n-t-e-r-z-o-n-e.de</span></a></span><span style="color: black; font-size: 9pt;">). Screen shot from video material accompanying the
installation on view at Songwon Art Space, Seoul, 2015.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">12 Stefan Ettlinger, composite carbon drawing, 2011</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">13 Moving pictures storyteller, taken from: Kintop,
Jahrbuch zur Erforschung des frühen Films, Basel, Switzerland / Frankfurt/M.,
Germany, vol. 5, 1996</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">14 Le Petit Journal, Paris, France, ca. 1905,
courtesy Melton Prior Institute, Düsseldorf, Germany</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">15,16 Katsuhiro Otomo, Winsor McCay, Villard de
Honnecourt, Hyangro Yoon, Shane Simmons</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">17 Viola Rusche, Franz John, Francesco Colonna,
Shane Simmons</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">18 Hieronymus Hei, „Bänkelsänger am Nadelberg in
Basel“, 1832, Illustration from „Bänkelsang und Moritat“, exhibition catalogue,
Graphic Arts Collection, Staatsgalerie Stuttgart, Germany, 1975, </span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">19 Dean Ellis, cover liiustration for Ray Bradbury,
The Illustrated Man (first published 1951), 1969 Bantam edition.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">20 A scrapbook</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">21 Peter Blegvad, Empatheen, from his comic strip
series „Leviathan“ serialized in the „Independent on Sunday“, London, UK</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">22 Winsor McCay, „Common Sense“, editorial
illustration, published ca. 1915.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">23 Chris Ware, Touch Sensitive, iPad app for
McSweeney’s (now defunct)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">24 point it, Traveller’s language kit, first
edition 1992, (c) Dieter Graf – „You may be fluent in four languages but
sometimes you could find yourself "off the beaten track" where you
can´t communicate. point it</span><sup><span style="color: black; font-size: 7.5pt;">®</span></sup><span style="color: black; font-size: 9pt;">, with 1300 items to which you can indicate, is the
answer. Everyone in the world will understand you. This passport-sized
assistant is used not only by tourists but also by UN peacekeeping forces,
Olympic athletes and speech therapists. The book is the result of the author´s
extensive travels in the five continents. Edition since 1992: 2,000,000.“
(Ad text for the eponymous app, present day)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">25</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">26 Henry Flynt (</span><span style="color: black; mso-themecolor: text1;"><a href="http://henryflynt.org/"><span style="color: black; font-size: 9pt;">henryflynt.org</span></a></span><span style="color: black; font-size: 9pt;">) reads "From Culture to Veramusment" at
Walter De Maria's loft, New York, USA, February 28th, 1963 (pictured in the
back: Vladimir Mayakovsky), photo by Diane Wakoski</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">27, 28 Etoki picture scroll recitals, from: Victor
H. Mair, Painting and Performance. Chinese Picture Recitation and Its Indian
Genesis, Honolulu, Hawaii, 1988 </span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">29 „In the autobiography <i>Harpo Speaks</i>
(1961), Harpo Marx recounts how Chico found him jobs playing piano to accompany
silent movies. Unlike Chico, Harpo could play only two songs on the piano,
"Waltz Me Around Again, Willie" and "Love Me and the World Is
Mine," but he adapted this small repertoire in different tempos to suit
the action on the screen. He was also seen playing a portion of Rachmaninoff's
"Prelude in C# minor" in „A Day at the Races“ and chords on the piano
in „A Night at the Opera“, in such a way that the piano sounded much like a
harp, as a prelude to actually playing the harp in that scene.“ (Wikipedia)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">30 Jayme Yen, Banner for “Talking picture blues
(voices rising)”, Seoul, 2015</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">31 Harpo Marx; his claxon stick. – „Arthur
"Harpo" Marx (born Adolph Marx; November 23, 1888 – September 28,
1964) was an American comedian, film star, mime artist and musician, and the
second-oldest of the Marx Brothers. In contrast to the mainly-verbal comedy of
his brothers Groucho and Chico, Harpo's comic style was exclusively visual,
being an example of both clown and pantomime traditions. He wore a curly
reddish blonde wig, and never spoke during performances (he blew a horn or
whistled to communicate). He frequently used props such as a horn cane, made up
of a lead pipe, tape, and a bulbhorn, and he played the harp in most of his
films.“ (Wikipedia) – cf. Wayne Koestenbaum, The Anatomy of Harpo Marx,
University of California Press 2012, „… a luxuriant, detailed
play-by-play account of Harpo Marx’s physical movements as captured on screen.
Wayne Koestenbaum guides us through the thirteen Marx Brothers films, from The
Cocoanuts in 1929 to Love Happy in 1950, to focus on Harpo’s chief and yet
heretofore unexplored attribute—his profound and contradictory corporeality.
Koestenbaum celebrates the astonishing range of Harpo’s body—its kinks, sexual
multiplicities, somnolence, Jewishness, ‚cute’ pathos, and more. In a virtuosic
performance, Koestenbaum’s text moves gracefully from insightful analysis to
cultural critique to autobiographical musing, and provides Harpo with a host of
odd bedfellows, including Walter Benjamin and Barbra Streisand.“</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">32 Jayme Yen, Flyer for “Talking picture blues
(voices rising)”, Seoul, 2015</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
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<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">33 Margaret Mead, pointing downwards in an
Aristotelian way, Raphael, vessel</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">34 Moritz Fehr, „Mojave – A Person Was Here“, 2013,
stereoscopic video, Ambisonic, surround sound, 22’40“, “Talking picture blues
(voices rising)”, Seoul, 2015</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">35 Picture story recital, from: Victor H. Mair,
Painting and Performance. Chinese Picture Recitation and Its Indian Genesis,
Honolulu, Hawaii, 1988 </span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">36, 37 Francesco Colonna, Hypnerotomachia Poliphili</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">38 Fritz Schwegler, Effeschiade; Public picture
storyteller, Southern Italy, 1980s</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">39 Fritz Schwegler (1935–2014). „Born in the
Swabian town of Breech near Göppingen, Germany, Schwegler was first apprenticed
as a joiner to his father. He then traveled through the whole of Europe for
three years, where he visited 21 cities. As an artist, he first appeared as an
iconoclastic, uncanny creator of image collages and spoken performances,
entitled "Effeschiaden", "Effeschiadiana",
"Effeschiaturen", "Moritafeln", "Zehnerschaften",
"Viererreihen" and "Urnotizen", which were also accompanied
by photographs and film sequences.“ (Wikipedia)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">40 Carl Arnold Kortum (1745-1824), Jobsiade, 1836
edition</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">41 Katsuhiro Otomo, Homage to Winsor McCay’s
„Little Nemo“ comic strips.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">42 Villard de Honnecourt, a 13th-century artist
from Picardy, in northern France. He is known to history only through a
surviving portfolio of 33 sheets of parchment containing about 250 drawings
dating from the 1220s/1240s, now in the Bibliothèque Nationale (MS Fr 19093),
Paris, France. The great variety of subjects (religious and secular figures
suitable for sculpture, and architectural plans, elevations and details,
ecclesiastical objects and mechanical devices, some with annotations),
makes it difficult to determine its purpose. Other subjects such as animals and
human figures also appear. The traditional view, since the discovery of the
portfolio in the mid-19th century, is that Villard was an itinerant
architect/mason/builder, but there is no evidence of him ever working as an
architect or in any other identifiable profession. Nonetheless, it is clear
from his drawings that he was interested in architecture and that he traveled
to some of the major ecclesiastical building sites of his day to record details
of these buildings. His drawing of one of the west facade towers of Laon
Cathedral and those of radiating chapels and a main vessel bay, interior and
exterior, of Rheims Cathedral, are of particular interest.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">43 Harlan Tarbell, Chalk Talk Stunts, first
published 1926</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; font-size: 9pt;"><span style="font-family: inherit;">„A chalk talk is a monologue presentation done
while the speaker draws. It is usually done with chalk, hard crayon, or pastel.
The chalk talk method of teaching focuses on the blackboard and the lecture's
voice and also the activities to be precise the physical activities. This
method can be preferred for presenting lectures and talks. This method have
some characteristics which the presenter does not want the viewers to loose.
The dominant is ‚eyes‘ and the magical communication that exist whenever the
presenter have a nice lecture.“ (Wikipedia)<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; font-size: 9pt;"><span style="font-family: inherit;">44 Austin Osman Spare, plate from the Book of
Pleasure (self-love).the psychology of ecstasy, 1913<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; font-size: 9pt;"><span style="font-family: inherit;">45 Alice Creischer, ”Alle Tage Jericho” / „Ich die
Posaune“ 1982, mobile storytelling device.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">„Eine Stadt ist kein Ort sondern ein Zustand. Wenn
ich durch die Stadt gehe, dann wechsle ich andauernd die Zustände aus, in denen
ich mich befinde, so wie man in einen alten Dia Apparat bedient. Man nimmt die
Dias nacheinander vom Tisch und steckt jedes einzeln in den Schlitten, den man
vor die Projektionsbirne schiebt. Man lehnt sich ein wenig zurück, verschränkt
die Hände hinter den Kopf und schaut. Das Wechseln von Zuständen ist eine
Tätigkeit, und die Zusammenstellung aller Zustände in ihrer Gesamtheit wäre
eine gigantische Beschäftigung, eine kannibalische Beschäftigung, die alles
verschlingt oder ignoriert, bis dass sie sich endlich erschöpft, sich sein
lässt und nichts mehr behauptet, als... Wenn ich durch die Stadt gehe und rede,
könnte ich annehmen, dass ich sehr mächtig bin. So, wie man sich fühlt, wenn
man eine riesige Kaugummiblase allein Kraft der eigenen Lungen, aus dem eigenen
Mund, in die Welt hineinbläst. Man könnte sich vorstellen, dass diese riesige
Blase die ganze Stadt erdrückt und dass nur ich allein durch die Straßen gehe,
die sich um mich dehnen müssen. Aber diese Herrlichkeit ist zu Ende, wenn ich
wieder einatmen muss.“ (Alice Creischer, Erpresserbriefe an die Geisteswelt,
Berlin 2005)</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">46, 47 Hyangro Yoon</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">48–53 The Grand Moving Mirror of California, Los
Angeles, USA </span><span style="color: black; font-size: 10pt;">"The Velaslavasay
Panorama in Los Angeles, California, is a historic exhibition hall,
theatre and garden dedicated to the production and presentation of unusual
visual experiences.Not that many years ago, a photo copy of the 1853 script
for The Grand Moving Mirror of California<b>, </b>landed on the
doorstep of the Velaslavasay Panorama, to the attention of museum director<b> </b>Sara
Velas. The script had been recently rediscovered in storage at the Saco
Museum in Saco, Maine and was sent by moving
"panoramaniac" Peter Morelli. The painted scroll no longer
existed, just the script. What better place than the Velaslavasay
Panorama and what more talented person than Sara to take up the challenge
of bringing this performance back to life? It was a perfect
match. Sara Velas, along with a diverse team of very talented people, set
out to recreate the moving panorama, <b>The Grand Moving Mirror of
California.</b> They didn't stop at merely creating the painting with the
cranking apparatus, narration and music (a Herculian task by itself).
They went on to create other accompanying pieces in the spirit of 19th century
moving panorama performances: flyers, miniature panorama souvenirs, a display
of Gold Rush artifacts and a logo reminiscent of 19th century
engravings.“ For more information visit the museum's website. </span><span style="color: black; mso-themecolor: text1;"><a href="http://www.panoramaonview.org/"><span style="color: black; font-size: 10pt;">www.panoramaonview.org</span></a></span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">54 Ben Katchor, Picture Recital, New York City,
USA, ca. 2010.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">55 Romana Schmalisch, Mobile Cinema – </span><span style="color: black; font-size: 10pt;">„‚Mobile cinema‘ is an apparatus which the artist
demonstrates in various cities, accompanying the screenings by experimental
lectures.’Mobile cinema’ is a reconstruction of a film prop from Alexander
Medvedkin’s film ‚The New Moscow‘ (1938), consisting of a projection and
viewing table. Using this bizarre device – which is a strange blend of an urban
model, cinema and plate camera — the principal character of the film, a
young engineer, presents his designs and urban visions for the new city on his
way to Moscow. Similar to this movie character, Romana Schmalisch travels to
various places with the «Mobile Cinema» and presents some of her films. Her
works is the research on urban space, the changes of urban space and the social
changes that come with them.“ <o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">56 „Neo benshi“ performance, New York, USA, ca.
2005.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">57 A Walter Benjamin lecture. cf. </span><span style="color: black; mso-themecolor: text1;"><a href="https://vimeo.com/61669696"><span style="color: black; font-size: 9pt;">https://vimeo.com/61669696</span></a></span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">58 The Museum of American Art exhibits Alfred H.
Barr’s Pedigree of Modern Art in China, ca. 2010.</span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 5.0pt;">
<span style="font-family: inherit;"><span style="color: black; font-size: 9pt;">59
René Magritte, „L’homme au journal“, 1928, Tate Gallery London, UK – „Artists,
being creative individuals, tend to experiment with different tools and apply,
combine and exploit various techniques in their work. Stereoscopy has not
escaped them either. Stereoscopic drawings can be found within most early
technical articles about stereoscopy, but mainly for the purpose of
illustration and idea communication rather than artistic composition. In the
middle of the 20th century, painters technically aware of the effects of
binocular vision in the human visual system have undertaken the tedious task of
painting two stereoscopic canvases instead of one. René Magritte (1898-1967)
with his ‚L’Homme au Journal‘ (1928) appears to have executed a quasi-stereo
painting, but did not further exploit the possibilities.“ (Efstathios Stavrakis
– Margrit Gelautz, „Stereo Painting: Pleasing the Third Eye“, Technical
University of Vienna, Journal of 3-D Imaging, UK (2005), 168; 20-23. </span><span style="color: black; font-size: 10pt;"><o:p></o:p></span></span></div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-78863873679575861232016-03-12T18:54:00.001-08:002016-06-07T05:53:36.708-07:00Talking Picture Blues Book design draft<div class="post-body entry-content" id="post-body-7424860127632896974" itemprop="description articleBody" style="background-color: white; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 1.4; position: relative; width: 570px;">
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<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">The Talking Picture Blues Shows</span><br />
<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;">(Kunstsaele, Berlin 2013/14 & Songwon Art Center, Seoul 2015)</span><br />
<span style="color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px;"><br /></span>
<span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">Moritz Fehr | </span><span style="font-family: inherit; font-size: 13.2px; line-height: 18.48px; text-align: justify;">The Velaslavasay Panorama, Los Angeles </span><span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">| Franz John | </span><span style="color: #1a1a1a; font-family: inherit; font-size: 11pt; line-height: 18.48px; text-align: justify;">Viola Rusche | Karin Sander | Romana Schmalisch – Mobile Cinema | Dierk Schmidt | Andreas Siekmann | Shane Simmons | Chris Ware | Austin Osman Spare | Stefan Ettlinger | Hyangro Yoon </span><span lang="JA" style="color: #1a1a1a; font-family: "applemyungjo"; font-size: 11pt; line-height: 18.48px; text-align: justify;">윤향로</span><span style="color: #1a1a1a; font-family: inherit; font-size: 13.2px; line-height: 18.48px; text-align: justify;"> and more.</span><br />
<div class="MsoNormal" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 18.48px; margin-bottom: 0cm; text-align: justify;">
<span style="color: #1a1a1a; font-family: inherit; font-size: 11pt;"><br /></span></div>
Designed & edited by Clemens Kruemmel<br />
<div style="font-size: 13.2px; line-height: 18.48px;">
ISBN<span class="Apple-tab-span" style="white-space: pre;"> </span>978-89-956464-8-9<span class="Apple-tab-span" style="white-space: pre;"> </span>(93650)</div>
<div style="font-size: 13.2px; line-height: 18.48px;">
190X265.6mm</div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-68770019124338865082016-03-12T18:51:00.002-08:002016-03-12T18:52:51.279-08:00Douglasism Poster @ All Day Swimming Office / shop<div class="post-body entry-content" id="post-body-9124318815862795845" itemprop="description articleBody" style="background-color: white; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.2px; line-height: 1.4; position: relative; width: 570px;">
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Jan. 2016<br />
Seoul<br />
via facebook<br />
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-45033429529972814142015-03-21T20:22:00.002-07:002015-03-21T20:22:30.633-07:00Unfucking Real @ 도서관, 독립출판, 열람실 Public Library, Independent Publishing, Reading Room<div class="separator" style="clear: both; text-align: center;">
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Digital Library Gallery<br />
The National Library of Kora<br />
Organized by Graphic<br />
2015. 2.25 - 3. 31<br />
Seoul<br />
<br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;">전시: 도서관, 독립출판, 열람실</span><br style="color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;" /><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;">일시: 2015. 2. 25~3. 31 </span><br style="color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;" /><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;">장소: 국립중앙도서관 디지털도서관 전시실(서초동)</span><br style="color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;" /><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;">주최: 국립중앙도서관 </span><br style="color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;" /><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 19px;">주관: 계간 <graphic></graphic></span>lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-12403163180035043952015-02-21T18:52:00.000-08:002015-02-21T18:52:07.515-08:00Printing Unfucking Real<div class="post-body entry-content" id="post-body-752502242063220640" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 610px;">
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<br />Jan. 2013<br />Daegu</div>
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-57665690979761518502015-01-17T03:36:00.001-08:002015-01-17T03:37:54.739-08:00Unfuckingreal: Nayoungim & Gregory Maass Works 2009-2012 <div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; line-height: 22.399999618530273px;">The artist couple of Nayoungim and Gregory Maass are known for producing a broad spectrum of conglomerates of contradictions in their work, which primarily entails objects and groups of objects arranged in such a way as to promulgate ambivalences, playing upon the ability of the observer to adapt and subverting the functional structures of the art world itself. This substantial monograph explores the artists prolific exhibition activity, and features special segments focused on the display of their artworks in a number of locations, in addition to several stand-alone series of works. Included are critical analyses of their work by Clemens Kruemmel, Claudia Pestana and Sumi Kang.</span><br />
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<span style="font-size: small;">Product Details</span></h2>
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<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">Paperback:</b> 248 pages</li>
<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">Publisher:</b> Nayoungim & Gregory Maass (June 26, 2013)</li>
<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">ISBN-10:</b> 8994027270</li>
<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">ISBN-13:</b> 978-8994027272</li>
<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">Product Dimensions: </b>11.6 x 8.2 x 0.7 inches</li>
<li style="box-sizing: border-box; list-style: none; margin: 0px; word-wrap: break-word;"><b style="box-sizing: border-box; font-family: verdana, arial, helvetica, sans-serif;">Shipping Weight:</b> 2.1 pounds </li>
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http://www.amazon.com/Unfuckingreal-Nayoungim-Gregory-Maass-2009-2012/dp/8994027270/ref=sr_1_1?s=books&ie=UTF8&qid=1421494448&sr=1-1&keywords=clemens+kruemmel<br />
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Jan. 2015lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-67055149902610548492014-09-20T19:37:00.002-07:002014-09-20T19:37:45.762-07:00The books<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU0D9vb_RsF3DvSOnCZVK4xxdzOuyjUqgCl9ucWjZbnrHyU1SYBxqgFnoC_8gRhA-C8jyLix4-OJPxvSnkmZGXlwjyoA0G8z9fG222lVOQClSY7mT1Gkkl1R8gCMpzAF9rFZf_ckQjxZ9G/s1600/s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU0D9vb_RsF3DvSOnCZVK4xxdzOuyjUqgCl9ucWjZbnrHyU1SYBxqgFnoC_8gRhA-C8jyLix4-OJPxvSnkmZGXlwjyoA0G8z9fG222lVOQClSY7mT1Gkkl1R8gCMpzAF9rFZf_ckQjxZ9G/s1600/s.jpg" height="325" width="400" /></a></div>
<span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">Art sonje, Seoul</span><br style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;" /><span style="background-color: white; color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 13px; line-height: 18px;">Sep. 2014</span>lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-86184225159149460082014-09-12T03:21:00.002-07:002014-09-12T03:21:16.672-07:00Kim Kim Press <div class="separator" style="background-color: white; clear: both; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px; text-align: center;">
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Logo Design</div>
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Sep. 2014</div>
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Paldang</div>
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-1689919034659448652014-09-11T00:04:00.002-07:002016-03-12T18:52:42.865-08:00Publisher registration document 출판사 신고필증<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiohyyLBB6i0hOLTRkjlmRJRxJsfmB6neP7fCBUZMAIzK_KbQNnG3ZvhKotzH5_tXznR_d0oHxK3PUDEG2VIHYtq_bf2wBev8HXaL51Kxy4G5rPlrD6U5RBwfuCo6fZR_AgcRmwOvGCwkl5/s1600/a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiohyyLBB6i0hOLTRkjlmRJRxJsfmB6neP7fCBUZMAIzK_KbQNnG3ZvhKotzH5_tXznR_d0oHxK3PUDEG2VIHYtq_bf2wBev8HXaL51Kxy4G5rPlrD6U5RBwfuCo6fZR_AgcRmwOvGCwkl5/s1600/a.jpg" width="281" /></a></div>
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Mar. 2005</div>
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Seoul</div>
<br />lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-58624704173117322142014-09-09T16:09:00.000-07:002014-09-10T05:09:37.955-07:00Es gibt keinen Ort ausserhalb des Bildes<div style="word-wrap: break-word;">
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<img height="400" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.7&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="281" /><br />
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<img class="" height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.1&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.2&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.3&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.4&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.5&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.6&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><img height="283" src="https://mail.google.com/mail/u/0/?ui=2&ik=9e81351632&view=att&th=1485e81add394393&attid=0.1.8&disp=emb&zw&atsh=1" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" width="400" /><br style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" /><div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;">
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<b style="letter-spacing: 0px;"><br /></b><b style="letter-spacing: 0px;">PRESSEMITTEILUNG</b></div>
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<span style="letter-spacing: 0px;"><b><br /></b></span></div>
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<b style="font-family: Arial;"><span style="letter-spacing: 0px;">Es gibt keinen Ort ausserhalb des Bildes. </span>Ein Lehrbuch. </b></div>
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<b style="font-family: Arial;">Autoren: Christl Mudrak und Robert Estermann</b></div>
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<b>Pünktlich zum neuen Semester erscheint im Verlag Caustic Window eine Publikation über innovative künstlerische Lehre für junge Architekten. Anhand von 36 Übungen präsentieren Christl Mudrak und Robert Estermann einen Einblick in ihre unkonventionelle künstlerische Lehrpaxis.</b></div>
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<b><br /></b></div>
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<b>[Im Anhang dieser Mail finden Sie die digitale Version der Publikation.]</b></div>
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<span style="letter-spacing: 0px;">Es handelt sich hierbei um eine Zusammenfassung ihrer Lehrideen für künstlerisches Arbeiten im Feld des Architekturstudiums und der dazugehörigen Forschungsergebnisse, die Estermann | Mudrak in den letzten sieben Jahren entwickelten und mit Architekturstudierenden am Departement für Architektur der ETH Zürich als wissenschaftliche Mitarbeiter an der Professur Sander, Lehrstuhl für Architektur und Kunst, ins Werk setzen konnten.</span></div>
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<span style="font-family: Arial;"><b>Wie sieht eine künstlerische Lehrpraxis aus, die nicht in ihren geschichtlichen und medialen Konventionen gefangen bleibt, sondern bei welcher durch gründliche Selbstwahrnehmung und die reflektierte Wahrnehmung der unmittelbaren Umgebung das ganze Unterrichtsgeschehen selbst zur Bühne und zum Wahrnehmungs-Instrument wird? </b></span></div>
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<b><span style="font-family: Arial;">Der Unterricht von Christl Mudrak und Robert Estermann gehen von dieser Frage aus und von dort noch weiter, indem sie die </span><span style="font-family: Arial; letter-spacing: 0px;">künstlerischen Aufgabenstellungen in ein mit ihnen nicht kongruentes, räumliches und konzeptuelles Setting hineinsetzen, das gleichzeitig mit der Unterrichtshandlung Unterrichtsinhalt ist. Durch die performative und holistische Anlage des Unterrichts werden Schlüsselerlebnisse für künstlerisches Handeln geschaffen. 36 ausgewählte Übungsbeispiele veranschaulichen diese These durch aussagefähiges Bildmaterial und eine Kurzbeschreibung in deutsch und englisch.</span></b></div>
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Titel: Es gibt keinen Ort ausserhalb des Bildes.</div>
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Autoren: Robert Estermann, Christl Mudrak</div>
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Verlag: Caustic Window, Seoul</div>
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Erscheinungsdatum: 31. August 2014, Erstausgabe</div>
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Copyright © 2014 bei den Autoren, Fotografen und den Urhebern der abgebildeten Werke</div>
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ISBN: 978-89-956464-7-2</div>
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Causic Window ist ein kleiner, koreanischer Kunstverlag</div>
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Blog des Verlags: <span style="font-family: Arial;"><a href="http://causticwindowpublisher.blogspot.com/" style="color: #1155cc;" target="_blank">http://<wbr></wbr>causticwindowpublisher.<wbr></wbr>blogspot.com</a></span></div>
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<b>Über die Autoren:</b></div>
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Robert Estermann</div>
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* 1970, lebt und arbeitet in Zürich und Berlin</div>
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Studium der Bildenden Kunst an der École Nationale Supérieure</div>
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des Beaux-Arts, Paris (Master of Arts). Postgraduate Studies</div>
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an der Jan van Eyck Academie, Maastricht. Gastvorträge und Workshops</div>
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u.a. an der ZHdK Zürich, der Hochschule Luzern, der Kunsthochschule</div>
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Berlin Weissensee und der Korea National University of</div>
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Art, Seoul. Lehrtätigkeit an der Professur für Architektur und Kunst,</div>
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Departement Architektur, ETH Zürich. Künstlerische Tätigkeit hauptsächlich</div>
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in den Medien Zeichnung, Installation, Performance und</div>
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Fotografie. Themen sind u.a. Utopie, Jugend, Architektur. Internationale</div>
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Ausstellungstätigkeit. <a href="http://www.estermann.com/" style="color: #1155cc;" target="_blank">www.<wbr></wbr>estermann.com</a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7E-CIXg6NERiZI3RlQMF-VNt4GmWWNK-UXDXe9dPPjVsvlWEQMeOUAEJcKscPMXlXSgf4bQY_vhpG90C_6aTPPd6sJg1a_hEB9rkKkXAlMgmt4E8Rclo4iGmTBBZJ9XdYEfG_fZGsZufa/s1600/Portrait-Robert-Estermann.jpg" imageanchor="1" style="font-family: Times; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7E-CIXg6NERiZI3RlQMF-VNt4GmWWNK-UXDXe9dPPjVsvlWEQMeOUAEJcKscPMXlXSgf4bQY_vhpG90C_6aTPPd6sJg1a_hEB9rkKkXAlMgmt4E8Rclo4iGmTBBZJ9XdYEfG_fZGsZufa/s1600/Portrait-Robert-Estermann.jpg" height="200" width="143" /></a><br />
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Christl Mudrak</div>
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* 1972, lebt und arbeitet in Berlin</div>
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Studium der Kunstgeschichte in Augsburg und Berlin. Malereistudium</div>
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an der KHB Weissensee. MA Programm Goldsmiths College, London. </div>
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Doktorandenprogramm an der Akademie der Bildenden Künste Prag. </div>
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Workshops u.a. an der Hochschule Luzern und ZHdK, Zürich. Lehrauftrag </div>
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an der HBK Saar in Saarbrücken, Gastprofessur an der KHB Weissensee. </div>
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Lehrtätigkeit an der Professur für Architektur und Kunst, Departement </div>
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Architektur, ETH Zürich. Künstlerische Tätigkeit hauptsächlich in den Medien </div>
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Malerei und Installation. Arbeitsfelder sind u.a.: psychologischer Raum, </div>
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kollaboratives Arbeiten und Hierarchiestrukturen. Internationale </div>
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Ausstellungstätigkeit. <a href="http://www.christlmudrak.com/" style="color: #1155cc;" target="_blank">www.<wbr></wbr>christlmudrak.com</a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPPhzeYUwxNNrdZaPCbG3yLWZYQXHtVkwCN_AtW9g2kxQXZlmKpyIdfintcqqdohNiDY8a2FaSThHDhPd9-636ARnHjLKmZ67eU0DM3Tv4l2aUearCyhsErIQ8rjdLGFhLbT6QOtxtcx6x/s1600/Portrait-Christl-Mudrak.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPPhzeYUwxNNrdZaPCbG3yLWZYQXHtVkwCN_AtW9g2kxQXZlmKpyIdfintcqqdohNiDY8a2FaSThHDhPd9-636ARnHjLKmZ67eU0DM3Tv4l2aUearCyhsErIQ8rjdLGFhLbT6QOtxtcx6x/s1600/Portrait-Christl-Mudrak.jpg" height="200" width="143" /></a></div>
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<span style="background-color: #fcfeff; font-family: Arial, Helvetica, sans-serif;">Pressekontakt Autoren:</span></div>
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<a href="mailto:no-place-outside-the-picture@gmx.net" style="color: #1155cc;" target="_blank">no-place-outside-the-picture@<wbr></wbr>gmx.net</a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Zur Veröffentlichung im Rahmen der Berichterstattung, honorarfrei. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Belegexemplar oder Hinweis erbeten.</span></div>
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<span style="background-color: white; color: #222222; font-family: Arial;">________</span></div>
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Estermann | Mudrak</div>
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<a href="mailto:no-place-outside-the-picture@gmx.net" style="color: #1155cc;" target="_blank">no-place-outside-the-picture@<wbr></wbr>gmx.net</a></div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-20232447209833839032014-09-08T18:30:00.001-07:002014-09-11T00:07:08.362-07:00Es gibt keinen Ort ausserhalb des Bildes. There is no place outside the picture<blockquote style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px;" type="cite">
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<span style="font-family: Arial;">authors: Robert Estermann, Christl Mudrak</span></div>
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softcover, 116 pages</div>
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languages: german and english</div>
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layout: Robert Estermann, Christl Mudrak</div>
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publisher: Caustic Window, Seoul</div>
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release date: August 31th 2014, 1st edition</div>
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copyright © 2014 by the authors and photographers</div>
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ISBN: 978-89-956464-7-2</div>
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<span style="letter-spacing: 0px;">It is a summary of their teaching ideas for artistic practice in architecture studies and the related research results that they developed in the last seven years. They were were able to realize this research with architecture students at the Department of Architecture of the ETH Zurich as research associates at the Chair of Architecture and Art.</span></div>
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<span style="font-family: Arial;"><span style="letter-spacing: 0px;">What is so special about this way of teaching is that they locate each project in a spatial and conceptual setting unrelated to the project itself. Together with the activity of the class, this setting constitutes the content of their teaching. The </span>differentness<span style="letter-spacing: 0px;"> of setting and activity challenges students, those present, and passers-by alike to rise above themselves, creating pivotal experiences that foster their own future artistic activity. Estermann and Mudrak </span>favor<span style="letter-spacing: 0px;"> a performative and holistic approach. 36 selected exercises illustrate this thesis by meaningful images and short descriptions in German and English. </span></span></div>
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about the authors:</div>
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Robert Estermann</div>
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* 1970, lives and works in Zurich and Berlin</div>
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Studied fine arts at the Ecole Nationale Superieure des</div>
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Beaux-Arts, Paris (Master of Arts). Postgraduate Studies at the Jan</div>
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van Eyck Academie, Maastricht. Guest lectures and workshops at</div>
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ZHdK Zurich, the University of Lucerne, the Art Academy Berlin</div>
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Weissensee and the Korean National University of Art, Seoul. Lecturer</div>
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at the Chair of Architecture and Arts, Department of Architecture,</div>
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ETH Zurich. Artistic activity consists mainly of work in the media of</div>
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drawing, installation, performance and photography. Topics include:</div>
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utopia, youth, architecture. International exhibitions.</div>
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<a href="http://www.estermann.com/" style="color: #1155cc;" target="_blank">www.estermann.com</a></div>
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Christl Mudrak</div>
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* 1972, lives and works in Berlin</div>
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Studied first art history, then painting studies at the KHB</div>
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Weissensee. MA programme at Goldsmiths College, London. Doctoral</div>
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program at the Academy of Fine Arts, Prague. Workshops at the</div>
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University of Lucerne and ZHdK, Zurich, lecturer at the HBKSaar in</div>
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Saarbrücken, visiting professor at the KHB Weissensee. Lecturer at</div>
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the Chair of Architecture and Arts, Department of Architecture, ETH</div>
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Zurich. Artistic activity consists mainly of work in the media of painting</div>
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and installation. Fields of work include: psychological space,</div>
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collaborative work and hierarchic structures. International exhibitions.</div>
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<a href="http://www.christlmudrak.com/" style="color: #1155cc;" target="_blank">www.christlmudrak.com</a></div>
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lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-26676245879958553082014-06-15T21:36:00.006-07:002014-06-15T21:36:59.751-07:00Anagama 우향 김상춘 다기<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCMmgzaFIVKxCO2InJwGb5MVylO6sR7cdAnrrFI1OEVyNdmbyWEHzt2M4QtRqrQZm2qnaN3-jNjR0ZtGatUZXEuJyBl_8fQD1tm3AlU0AjA0jZI0hqbUj7BsLMG0rtZlY_ybfrh2aWVMW-/s1600/f0080599_4934b277ad330.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="background-color: white; color: black;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCMmgzaFIVKxCO2InJwGb5MVylO6sR7cdAnrrFI1OEVyNdmbyWEHzt2M4QtRqrQZm2qnaN3-jNjR0ZtGatUZXEuJyBl_8fQD1tm3AlU0AjA0jZI0hqbUj7BsLMG0rtZlY_ybfrh2aWVMW-/s1600/f0080599_4934b277ad330.jpg" height="361" width="400" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikZmk-iShuN_12pFuisIeLX8aB8cfGJtt-waGYM_5aHy_mhxd0d2QZsKfJ-WE_mD-dMfzJzTOZp24pfwSrBxpaaJT3CfqbFt9ngNCXODZ9utmSpNbsG-3BS6yxSSh3CUDypUfmdZfRPiJ6/s1600/f0080599_4937428a10f14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="background-color: white; color: black;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikZmk-iShuN_12pFuisIeLX8aB8cfGJtt-waGYM_5aHy_mhxd0d2QZsKfJ-WE_mD-dMfzJzTOZp24pfwSrBxpaaJT3CfqbFt9ngNCXODZ9utmSpNbsG-3BS6yxSSh3CUDypUfmdZfRPiJ6/s1600/f0080599_4937428a10f14.jpg" height="400" width="363" /></span></a></div>
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<span style="background-color: white; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 12px;">18 pages</span><br />
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<span style="background-color: white; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 12px;">Oct. 2008</span><br />
<span style="background-color: white; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 12px;">Seoul</span>lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0tag:blogger.com,1999:blog-5578835553338285720.post-30847064624927762812014-03-22T03:28:00.000-07:002014-03-22T03:32:01.991-07:00Unfucking Real @ Art Data<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasVO9SvcH4WHIpRMj4Py_GaxzehpNSNVa90FxPS-4FOGcjnZNAUccvgRDMXMCpjxEsZPNNeP2glXjXzDdZ0EyWnga5Ddfb9bfyB_BYTRaWcjyza2eBMnR3D_fmAFS5uc8GeODb7opl9x5/s1600/Screen+Shot+2014-03-22+at+19.25.17.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasVO9SvcH4WHIpRMj4Py_GaxzehpNSNVa90FxPS-4FOGcjnZNAUccvgRDMXMCpjxEsZPNNeP2glXjXzDdZ0EyWnga5Ddfb9bfyB_BYTRaWcjyza2eBMnR3D_fmAFS5uc8GeODb7opl9x5/s1600/Screen+Shot+2014-03-22+at+19.25.17.png" height="400" width="345" /></span></a></div>
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<span style="font-family: inherit;"><br /></span></div>
<span style="font-family: inherit;">http://www.scribd.com/doc/151526062/Art-July-2013</span><br />
<span style="font-family: inherit;">http://art-data.blogspot.co.uk</span><br />
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<b><span style="font-family: Times;">Nayoungim And Gregory
Maass - Unfucking Real. Works 2009-2012<o:p></o:p></span></b></div>
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<span style="font-family: Times;">Nayoungim And Gregory
Maass 2012 </span></div>
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<span style="font-family: Times;">ISBN 9788994027272 Acqn 22510<o:p></o:p></span></div>
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<span style="font-family: Times;">Pb 21x30cm 248pp 375ills
300col</span></div>
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<span style="font-family: Times;"> £32.95<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Times;">The artist couple of
Nayoungim and Gregory Maass are known for producing a broad spectrum of <o:p></o:p></span></div>
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<span style="font-family: Times;">conglomerates of
contradictions in their work, which primarily entails objects and groups
of <o:p></o:p></span></div>
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<span style="font-family: Times;">objects arranged in such a
way as to promulgate ambivalences, playing upon the ability of the<o:p></o:p></span></div>
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<span style="font-family: Times;">observer to adapt and
subverting the functional structures of the art world itself. This substantial<o:p></o:p></span></div>
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<span style="font-family: Times;">monograph explores the
artists’ prolific exhibition activity, and features special segments focused<o:p></o:p></span></div>
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<span style="font-family: Times;">on the display of their
artworks in a number of locations, in addition to several stand-alone series<o:p></o:p></span></div>
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<span style="font-family: Times;">of works. Included are
critical analyses of their work by Clemens Kruemmel, Claudia Pestana and </span>Sumi Kang.</div>
lokihttp://www.blogger.com/profile/05410291378491559453noreply@blogger.com0